The personal elements, however, barely come through in Pitt’s performance or, for that matter, Forster’s typically stilted, shallow direction. The film’s melding of humanistic enthusiasm and genre trappings is an initially promising vision of a husband and father constantly separated from his family due to work that varies from the comically insubstantial to the socially important, like Pitt playing a hapless airhead in Burn After Reading while also designing and producing affordable housing for victims of Hurricane Katrina.
It’s not hard to see what drew Pitt to this material. operative, gamely played by David Morse, who’s gone all Renfield in the wake of the outbreak.) It’s an interesting idea, but one that’s executed with cheap political sentiment, and one that unfortunately leads to the film portending to be “better” than just another zombie flick. (The holdout, naturally, is North Korea, who solved the problem by pulling the teeth out of all of their citizens almost overnight, news relayed to Gerry by an imprisoned C.I.A. The screenplay, by Matthew Michael Carnahan, Drew Goddard, and Damon Lindelof, sees the uprising of the undead as a worldwide pandemic, a cause for an international group hug and eradication of cultural and religious grudges in the hopes of human survival. They topple over busses, buildings, and barriers, but we rarely see them devour a body, as the filmmakers evade images of blood and gore. The zombies twitch, leap, gnash, and destroy, but the film has all the thrill and surprise of a model U.N.
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His specialties are enough to get his family on an isolated naval command center, but also make him the first choice to lead the investigation into how to stop the outbreak, which takes him from South Korea to Jerusalem and finally to meet with survivors at the World Health Organization building in Cardiff, Wales. operative turned family man who finds himself in the middle of one of the world’s first zombie outbreaks in Philadelphia with his wife, Karin (Mirielle Enos), and two daughters (Sterling Jerins and Abigail Hargrove). The actor-humanitarian plays Gerry Lane, a former high-ranking U.N.
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The scars of a tumultuous production are on full display in World War Z, Marc Forster’s utterly innocuous adaptation of Max Brooks’s zombie-apocalypse bestseller, but the seemingly endless rewrites and reshoots hardly explain or excuse the overt and largely unconvincing heroic image given to the film’s star, producer, and longtime champion, Brad Pitt.
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